TAFTO 2013 Contribution: Heather Brown

[vc_row css=”.vc_custom_1503520560231{margin-bottom: 3% !important;padding-top: 12px !important;padding-right: 12px !important;padding-bottom: 12px !important;padding-left: 12px !important;background-color: #efefef !important;}”][vc_column][vc_column_text]There’s no better way to end Take A Friend to The Orchestra week than with a patron contribution and today’s post comes from Heather Brown, a classical music enthusiast with mad culture blogging skills and the heavy duty take-a-friend goal of packing an entire balcony with fellow subscribers. Sounds like a perfect goal to me. ~ Drew McManus[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text] EMBRACE THE …

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TAFTO 2013 Contribution: Scott Silberstein

[vc_row css=”.vc_custom_1503520560231{margin-bottom: 3% !important;padding-top: 12px !important;padding-right: 12px !important;padding-bottom: 12px !important;padding-left: 12px !important;background-color: #efefef !important;}”][vc_column][vc_column_text]It just isn’t Take A Friend To The Orchestra week without a patron contribution and this year we have two. First up is from multi-Emmy award winning producer, composer, and director Scott Silberstein; a man who knows more than a few things about presentation and having a good time. In fact, if your orchestra is interested in video production, …

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TAFTO 2012 Contribution: Jonathan Becker

Cleveland native and current Chicago resident, Jonathan Becker (JB to those who know him), is a quintessential man about town. There’s so much I want to say about JB but every time I write something, it comes across as a spoiler for what follows. So I’m going to admit defeat and let you jump right into one of the most enjoyable TAFTO contributions to date. ~ Drew McManus My whole life, I’ve worried that my …

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TAFTO 2011 Contribution: Evan Schumacher

This year’s program includes a number of contributions from those within the tech sector of the arts field. Our initial offering is from Even Schumacher, co-founder and programmer at InstantEncore.com; a group most folks are certainly aware of. Due to his background, I felt Evan’s approach would be similar to the sort of patron perspective we enjoy each year and I’m sure you’ll agree that his efforts are right on the money. ~ Drew McManus

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TAFTO 2008 Contribution: Ben Smith

Three years ago I was a classical newbie. The day I started to switch was just a hair after my 24th birthday, and three years further on it is a process very much in development. Before that transition point I had barely more than a baseline exposure to the genre, being able to recognize Beethoven’s fifth (well, as long as it was the first movement) and listening to each of the three classical CDs in my collection for perhaps a few hours each year, if they were lucky. Classical music was something to daintily dip my toes into, not to dive under.

TAFTO 2007 Contribution: Paul Alter

I spent my early years exposed to lots of concert music — operetta, movie musicals, “light-classical” stuff on the radio, and some Victor Red Seal records that my father had bought before the Great Depression made it impossible to spend money on anything but the bare necessities. I had even spent two seasons at the St. Louis Symphony Orchestra’s student concerts. So, yes, I enjoyed music, particularly the shows put on at the St. Louis Muny Opera every summer.

TAFTO 2007 Contribution: Bill Harris

Is TAFTO a good idea? Really? Or is it simply a way to shift the responsibility for less-than-desired attendance from symphony orchestra management to the audience itself? If orchestras have money for advertising and PR, expertise in all things musical, and the attention of critics and the press, what can we as individual concert-goers possibly do to help?

TAFTO 2006 Contribution: Pete Matthews

I have spent a good portion of my young adulthood coercing friends (“dragging” is too strong a term, “asking” not strong enough) into joining me at concerts, with mixed results. I imagine they accept my invitation because they know it’s important to me, or because they’re looking for an elegant night out, or because they’re curious about this unfamiliar art form they encounter every week in the Sunday Times, in between the theater and gallery listings.

TAFTO 2005 Contribution: Lynn Sislo

Summer of 2000. My two sons, then aged 16 and almost 20, were
having a seemingly endless conversation about cars. The older one was
at the computer and the 16-year-old was standing nearby. Feeling the
inspiration for a bit of mischief, I thought to interrupt their
conversation with something – anything – that they had absolutely no
interest in.

TAFTO 2005 Contribution: Frank Manheim

“Taking friends to a concert” can be a metaphor for the task of revitalizing classical music in
America. I make no apologies for being an end-member proponent of
audience empowerment, I disagree with recent writers who variously
opine that classical music is moribund, or was only superficially
connected with the U.S. in the first place (Joseph Horowitz). It has
indeed declined – but McManus’ initiative is an example of emerging
movements that have the potential to revive it.