TAFTO 2006 Contribution: Brian Sacawa

In Paul Auster’s “The Locked Room” from The New York Trilogy, Fanshawe is missing and presumed dead. Although a prolific writer before his disappearance, he could never bring himself to publish any of his work, and has left his entire unpublished oeuvre to the narrator, his childhood friend, with instructions that he read the collection and decide whether or not it is worthy of publication. Upon reading Fanshawe’s manuscripts, which confirm to him his friend’s literary genius, the narrator decides to pitch the collection to a publisher, singling out a large novel as the most brilliant work, and as a result, the one that should be considered first for publication. When the publisher asks the narrator for a description of the book, he considers the request but then decides on the following course of action: